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DC poleHodnotaJazyk
dc.contributor.authorOndříčková, Marie
dc.date.accessioned2018-10-18T11:34:33Z-
dc.date.available2018-10-18T11:34:33Z-
dc.date.issued2018
dc.identifier.citationActa Fakulty filozofické Západočeské univerzity v Plzni. 2018, č. 1, s. 71-94.cs
dc.identifier.issn1806-0364 (print)
dc.identifier.issn2336-6346 (online)
dc.identifier.urihttp://hdl.handle.net/11025/30232
dc.identifier.urihttp://actaff.zcu.cz/archives/2018/vol-10-1/ondrickova.html
dc.format24 s.cs
dc.format.mimetypeapplication/pdf
dc.language.isocscs
dc.publisherZápadočeská univerzita v Plznics
dc.relation.ispartofseriesActa Fakulty filozofické Západočeské univerzity v Plznics
dc.rights© Západočeská univerzita v Plznics
dc.subjectstříbrné píšťalycs
dc.subjectUrcs
dc.subjectikonografiecs
dc.subjectrekonstrukcecs
dc.subjectauloscs
dc.subjectarghulcs
dc.subjectartefaktycs
dc.titlePopis rekonstrukce dvou stříbrných píšťal z Urucs
dc.typečlánekcs
dc.typearticleen
dc.rights.accessopenAccessen
dc.type.versionpublishedVersionen
dc.description.abstract-translatedThe paper focuses on the reconstruction of the silver flutes (pipes) discovered in Ur. The artifacts were found in a fragmentary state and this is the reason why we cannot offer perfect reconstruction. These artifacts are in the University of Pennsylvania Museum of Archaeology and Anthropology. The purpose of the paper is to provide probable evidence to support our hypothesis. The evidence can be found in several impression seals and depiction of a woman playing a pastoral whistle made of pearl shell. We will analyze material and written sources to describe a probable type of instrumental corresponding to the aerophones of Ur. The second part of the paper includes a description of three experiments with mouthpieces. The silver pipes from Ur bring hypotetical tone scale, because we have no mouthpiece, which is the most important component. Experiment number 1 („the arghul“ instrument generated these tones a♯–g–f♯–e–d–c♯). Experiment number 2 is an instrument with labium and its mode is not clear and exact. The pipe with three holes plays the tones c♯–a♯–g♯–f–d♯ and the pipe with four holes produces a♯–g–f–d♯ c♯–a♯–g♯–f–d♯. The pipes made of prepared metal sheets produces scales: d♯-c♯–b–a♯ (pipe with 3 holes) and f–e–d♯–d–c♯. Sometimes the pitch are not clear, but all tones are part of the „emb ̄ubu“ mode. The mode, as well as a pastoral whistle, is named in some written sources in Mesopotamian literary tradition.en
dc.subject.translatedsilver pipesen
dc.subject.translatedUren
dc.subject.translatediconographyen
dc.subject.translatedreconstructionen
dc.subject.translatedaulosen
dc.subject.translatedarghulen
dc.subject.translatedartifactsen
dc.identifier.doihttps://doi.org/10.24132/actaff.2018.10.1.4
dc.type.statusPeer-revieweden
Vyskytuje se v kolekcích:Číslo 1 (2018)
Články / Articles (KAR)
Číslo 1 (2018)

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