Title:	Czech choral music after the Second World War
Authors:	Pecháček, Stanislav
Citation:	Paedagogia Musica. 2022, č. 2, s. 73-86.
Issue Date:	2022
Publisher:	University of West Bohemia in Pilsen
Document type:	článek article
URI:	http://hdl.handle.net/11025/50558 https://old.fpe.zcu.cz/khk/musica-paedagogia/Archiv/02_2022_Paedagogia-Musica.pdf
ISSN:	2788-2047
Keywords:	česká hudba;sborové skladby;sbory;Petr Eben (1929–2007);Jindřich Feld (1925–2007);Jan Hanuš (1915–2004;Emil Hradecký (*1951);Karel Husa (1921–2016);Ctirad Kohoutek (1929–2011);Marek Kopelent (*1932);Jiří Laburda (*1931);Zdeněk Lukáš (1928–2007);Otmar Mácha (1922–2006);Jan Málek (*1938);Bohuslav Martinů (1890–1959);Jan Novák (1921–1984);Alois Piňos (1925–2008);Miroslav Raichl (1930–1998);Zdeněk Šesták (*1925);Antonín Tučapský (1928–2014);Jan Vičar (*1949)
Keywords in different language:	Czech music;choral compositions;choirs;Petr Eben (1929–2007);Jindřich Feld (1925–2007);Jan Hanuš (1915–2004;Emil Hradecký (*1951);Karel Husa (1921–2016);Ctirad Kohoutek (1929–2011);Marek Kopelent (*1932);Jiří Laburda (*1931);Zdeněk Lukáš (1928–2007);Otmar Mácha (1922–2006);Jan Málek (*1938);Bohuslav Martinů (1890–1959);Jan Novák (1921–1984);Alois Piňos (1925–2008);Miroslav Raichl (1930–1998);Zdeněk Šesták (*1925);Antonín Tučapský (1928–2014);Jan Vičar (*1949)
Abstract in different language:	The study overviews the most important choral compositions created in the Czech lands after 1945. In the introduction, it characterizes the most important milestones in the country’s development after the end of the Second World War, especially the impact of the communists and their ideology on art, the influence of avant-garde techniques of the so-called New Music, which came mainly from Germany and Poland, and the ideological relaxation after the fall of the communist dictatorship in 1989. The survey of the choral pieces is divided according to themes into sacred, inspired by folklore, ancient and medieval literature, mainly in Latin. A brief compositional analysis is also given for some of the pieces. The study does not focus on compositions set to the verses of Czech poets nor on the vibrant field of choral pieces for children, which could be the subject of another study.
Rights:	© Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
Appears in Collections:	Číslo 2 (2022) Číslo 2 (2022)

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