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DC poleHodnotaJazyk
dc.contributor.authorKubátová, Gabriela-
dc.contributor.editorJandová, Zuzana-
dc.date.accessioned2023-06-19T10:55:01Z-
dc.date.available2023-06-19T10:55:01Z-
dc.date.issued2023-
dc.identifier.citationPaedagogia Musica. 2023, č. 4, s. 55-69.cs
dc.identifier.issn2788-2039 (print)-
dc.identifier.issn2788-2047 (online)-
dc.identifier.urihttp://hdl.handle.net/11025/52979-
dc.identifier.urihttps://old.fpe.zcu.cz/khk/musica-paedagogia/Archiv/04_2023_Paedagogia_Musica.pdf-
dc.description.sponsorshipProcessing and publication of this issue were made possible through the financial support granted in 2023 by the Ministry of Education, Youth and Sport of the Czech Republic and the Faculty of Education, the University of West Bohemia in Pilsen.en
dc.format15 s.cs
dc.format.mimetypeapplication/pdf-
dc.language.isoenen
dc.publisherUniversity of West Bohemia in Pilsenen
dc.rights© Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Licenseen
dc.subjectAlexander Shonertcs
dc.subjecthouslecs
dc.subjecthouslová metodikacs
dc.subjecttrémacs
dc.subjectřadové staccatocs
dc.subjectcvičení na houslecs
dc.titleAlexander Shonert’s Contributions to Violin Methodologyen
dc.typečlánekcs
dc.typearticleen
dc.rights.accessopenAccessen
dc.type.versionpublishedVersionen
dc.description.abstract-translatedThis article introduces violinist and pedagogue Alexander Shonert and his principles of violin teaching methods, which touch on the correct way of practicing the violin, a specific type of firm staccato, and stage fright. This research and description of Shonert’s teaching and practice method are inspired by a workshop that Alexander Shonert held at Základní umělecká škola Ilji Hurníka [Ilja Hurník Elementary Art School] in Prague, Czech Republic on December 7, 2018, and based on interviews that the author of this article conducted with him between 2018–2021. The structured interviews were conducted in Czech (translated into English by the author) in person and by electronic correspondence in the case of clarification of details. This study also follows up on two published author’s articles, “Alexander Shonert – Violinist and Pedagogue” and “Firm Staccato Is Born in the Mind, Not in the Hands.” Shonert’s methodo- logical principles are situated in the context of other prominent violinists from the nineteenth century until now.en
dc.subject.translatedAlexander Shonerten
dc.subject.translatedviolinen
dc.subject.translatedviolin methodologyen
dc.subject.translatedstage frighten
dc.subject.translatedfirm staccatoen
dc.subject.translatedpracticing the violinen
dc.identifier.doihttps://doi.org/10.24132/ZCU.MUSICA.2023.04.55-69-
dc.type.statusPeer revieweden
Vyskytuje se v kolekcích:Číslo 4 (2023)
Číslo 4 (2023)

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